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STUDIUM faesulanum: Team
Studium Faesolanum

Cavallerin, Stefano

1959-03-16

Geboren in Perugia (I).

1979

Klavierdiplom am Konservatorium Francesco Morlacchi (M° F. Pacioselli).

1986

Diplom in Komposition an der Musikhochschule in Wien (Prof. Paul Kont).

1983-1985

Konzerttätigkeit (Italien, Österreich) mit dem Pianisten Russell Ryan (Klavier zu vier Händen).

1988

Dirigent-Stellvertreter während der Wiedereröffnung desl Teatro Sociale di Como (Como, stagione lirica).

Pianist im Orchester Solisti dell'Amit bei der Uraufführung der Oper Maximilien Kolbe (Libretto von Eugène Ionesco, Musik von Dominique Probst; Rimini, 1988) und in der Gesangsmeisterklasse Incontro con giovani cantanti gehalten von Alfredo Kraus (Wien, 1988).

1989

Dirigent-Stellvertreter am Rossini Opera Festival (Pesaro) und Korrepetitor bei der Gesangklasse Gabriel Bacquier (Genf).

1991-1992

Assistent des Komponisten Egisto Macchi (Rom).

1991-1996

Korrepetitor bei der Privatgesangsklasse der Sopranistin Antonietta Stella (Rom).

Ab 1996

Externer Mitarbeiter des Don Juan Archivs in Wien (Quellensuche, italienisches Lektorat).

Ab 2008

Mitarbeiter am Projekt Studium Faesulanum.

Kompositionen (Auswahl)

Kammermusik

1984

Narciso al fonte, Vorspiel für Streichorchester

1985

4 frammenti greci (für Fl., E.H.., Kl. e Fg.)

1985

Suite für Cembalo

1991

Introduktion, Thema und Variationen für Violoncello

1994

Visioni notturne 5 Konzertetuden für zwei Harfen

Sinfonische Musik

1992

Bühnenmusik zu La casa de Asterión aus El Aleph von Jorge L. Borges

Geistliche Musik

2001

Choral und 16 Variationen: Jesu, Jesu Du bist mein (Meiningen G.B. 1697) für gem. Chor

2004

Choral und 7 Variationen: Herr! Ich glaube (Joh. Rist. 1641) für gem. Chor

Opernmusik

1994

Anakampsèros (Oper in zwei Akten nach einem Text von Giusi Checcaglini)

1998

Eine Oper für Büropa, (Kleine Oper in in einem Akt nach einer Komödie von Jaein ou´ Wwyyrsthh) geschrieben anlässlich des Österreichischen Kulturjahres; UA Brucknerhaus Linz (28-29 September und 1. Oktober)

2002

Fermata Greve Piazza. Pasticcio chiantichianino (Oper, Greve in Chianti)

E-Mail: stefano.cavallerin(at)studiumfaesulanum(dot)at

Prückl, Christoph Marc

1986-01-27

Geboren in Schladming, Steiermark (A).

2006

Regelmäßiger Aufenthalt in Italien (Neapel, Turin, Lecce, Lucca), vorwiegend im touristischen Sektor tätig.

2007

Beginn des Studiums Psychologie und Italienisch an der Universität Graz. Gleichzeitig übernimmt er die Verwaltung des Familienbetriebes und beginnt mit regelmäßiger Übersetzerarbeit (deutsch-italienisch).

2008

Beginn seiner Mitarbeit am Projekt Studium Faesulanum des Don Juan Archivs in Wien.

2009

Immatrikulation an der Universität Alma Mater Studiorum in Bologna  (Fakultät Psychologie).


E-Mail: christoph.prueckl(at)studiumfaesulanum(dot)at

Trientbacher, Kuno

1966-05-09

Geboren in Bozen (I).

1985-1996

Studium Musikwissenschaft, Publizistik und Musikpädagogik in Salzburg (A). Daneben Kurse und Fortbildungen in Komposition und Jazz-Piano.

1992

Jahresstipendium des Landes Salzburg für Komposition. In der Folge erhält er diverse Kompositionsaufträge von Schulen, kirchlichen und kulturellen Institutiuonen.

1995

Studienabschluss an der Universität Salzburg (Diplomarbeit: Zur Unterschiedlichkeit in der Jazz-Rezeption der französischen Kunstmusik von der Jahrhundertwende bis zur Mitte der zwanziger Jahre).

1996

Studienabschluss an der Universität Mozarteum in Salisburgo (Diplomarbeit: Sinfonietta per archi e Drei Gitarrenquartette).

1993-2006

Lehrtätigkeit an diversen Gymnasien in Salzburg Stadt und Land.

Ab 2007

Lebt er in Wien als freischaffender Musiker, ist Pianist in der Moni Müksch Band (www.velvetvoice.at) und bei diversen Kabarett-Projekten (Heiteres aus Österreich in Worten und Noten mit Moni Müksch und Jürgen Em; Nix is fix! mit Moni Müksch; G’sund in Wien mit Moni Müksch und Gerhard Blaboll).

Ab 2009

Mitarbeiter am Don Juan Archiv in Wien, im besondern zuständig für das Projekt Studium Faesulanum.

Kompositionen (Auswahl)

Sinfonische Musik

1998

„Traumphasen“ für Orchester (ÖENM Salzburg)

Geistliche Musik

1991

Ave Maria für Chor und Orgel (unter Verwendung der "scala enigmatica" von Giuseppe Verdi)

1992

Credo für eine Adventmesse (Dom zu Salzburg)

2001

Vater Unser für gem. Chor (Auftragswerk des Salzburger Kammerchores)

Musical

1998

Kommissar Dings – die ersten viereinhalb Fälle (Musical für das Ensemble Guttmann, Text von Walter Müller)

2008

Copy and Paste (Musical-Coproduktion des Musik-RG Akademiestrasse und der Jungen Philharmonie Salzburg)

Kammermusik

1992

Carcassiana (Gitarrenquartett)

1993

The Good-Man-Rag (Gitarrenquartett)

1994

Blue Fantasy (Gitarrenquartett)

1994

Quartetto per fiati

Chormusik

2002

Schülersprüche für gem. Chor  (Musisches Gymnasium Salisburgo)

E-Mail: kuno.trientbacher(at)studiumfaesulanum(dot)at

Web: www.kunotrientbacher.com

Weidinger, Hans Ernst

1949-07-29

Geboren in Wien (A).

1968-1974

Studien: Jus, klassische Philologie, Theaterwissenschaft und Kunstgeschichte an der Universität Wien; Klavier, Tanz und Gesang in Wien, Prag und Florenz; Studienaufendthalte in Venedig, Rom, Neapel, London und New York.

Ab 1974

Geschäftsführer der HOLLITZER-Gruppe.

Künstlerische Projekte (Auswahl)

1982

Wiener Brut (Film, Wien)

Constitutionis Theresianae Revocatio (Performance, Wien)

1984

La Prétendante Chante (Performance, Berlin)

1986

Il Giudizio di Don Giovanni (Oper, Ratisbona)

1993-1996

HIC SAXA LOQVVNTVR (Architekturwettbewerb, Pfaffenberg - Berlin - Wien - Venedig)

1998

Eine Oper für Büropa. Vorspiel im Büro (Oper, Linz)

2002

Fermata Greve Piazza. Pasticcio chiantichianino (Oper, Greve in Chianti)

Vorträge (Auswahl)

1998

Scuola Normale Superiore Pisa

2000

Universität Mozarteum in Salisburgo

2004

ISSEI, Pamplona

2008

Österreichisches Kulturforum Istanbul

Forschung (Auswahl)

2002

IL DISSOLUTO PUNITO. Untersuchungen zur äußeren und inneren Entstehungsgeschichte von Lorenzo da Pontes & W. A. Mozarts DON GIOVANNI (Doktorarbeit, 16 Bd., Wien)


« “In Turchia novantuna” - Don Juan crossing the Ottoman World » in: Ottoman Empire and European Theatre. I. Times of Sultan Selim III and Mozart 1756-1808 (Wien: Don Juan Archiv, im Druck befindlich)

Gründungen (Auswahl)

1987

Don Juan Archiv (Wien)

2001

Redaktion Tagbau (Wien)

2008

Ottoman Empire and European Theatre Symposien und Berichte, Wien/Istanbul)

2009

STVDIVM FÆSVLANVM (Florenz/Wien)


E-Mail: h.e.w(at)studiumfaesulanum(dot)at

 

Ex-Mitarbeiter

Ricci, Marco Antonio (2009-2010)

1975-08-04

Geboren in Wien.

1998-2003

Kunstgeschichte Studium an der Universität Wien (Diplomarbeit “Franz Hagenauer. Biographie und figurales Werk. Versuch einer kunstgeschichtlichen Positionierung”).

2000-2004

Führungen im BA-CA Kunstforum, im Leopold Museum und in der Österreichische Galerie Belvedere, Wien.

2002-2003

Assistenz bei Kuratierung der Ausstellung "Futurismus. Radikale Avantgarde" im BA-CA Kunstforum, Wien.

2003-2004

Verantwortlicher für Cultural Relations bei Leisure Communication, Wien.

2004

Allgemeine Spartenbetreuung in der Gemäldeabteilung im Dorotheum, Wien.

2005-2006

Inventarisationsprojekte im Wien Museum und im Leopold Museum.

Ab 2006

Fremdenführer (Österreich).

2007-2008

Wissenschaftlicher Mitarbeiter im Leopold Museum.

Veröffentlichungen

2002

Das Nashorn - eine späte Tierfigur von Karl Hagenauer. In: Patrick Kovacs News (1/2002), S. 3.

2003

Der Stiletto am Fuß der nackten Frau. In: Patrick Kovacs News (2/2003), pp. 1-3.

Alexej Jawlensky: Vom Abbild zur Ikone. In: Im Bann der Moderne - Picasso, Chagall, Jawlensky. Meisterwerke aus der Sammlung Karl und Jürg Im Obersteg, Catalogo della mostra al Bank Austria Kunstforum, Wien 2003, S. 37-40.

Letztes Update: 24. 03. 2011
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